Why such crude, porous planchets then? Planchets themselves cast, then struck with (perhaps somewhat crude) transfer dies?
I could be sold on that... I simply know that visually, I can see that the posted 1800 example is SOME sort of essentially exact copy of an ACTUAL Lima piece. Figuring out the "how" I guess is the point of such scholarship and scientific analysis, right?
Does lead to that same philosophical question of how such "exact replica" contemporary counterfeits (of varying crudeness) are to be considered and catalogued vs. pieces from fully hand-engraved or at least "visibly reworked" dies, molds, etc.. Essentially, even if such a piece IS a crude die transfer and not a cast... they're both just "simple copies".
I could be sold on that... I simply know that visually, I can see that the posted 1800 example is SOME sort of essentially exact copy of an ACTUAL Lima piece. Figuring out the "how" I guess is the point of such scholarship and scientific analysis, right?
Does lead to that same philosophical question of how such "exact replica" contemporary counterfeits (of varying crudeness) are to be considered and catalogued vs. pieces from fully hand-engraved or at least "visibly reworked" dies, molds, etc.. Essentially, even if such a piece IS a crude die transfer and not a cast... they're both just "simple copies".